Issue 21 | October 2018

A Special Feature on Radicalism and Violence.

• Introduction by Cynthia Miller-Idriss, Nicole Shea, and Fabian Virchow

Research

• “‘We Are Patriots’: Uses of National History in Legitimizing Extremism” by Sam Jackson

• “The Rise of Populism and Violent Extremism in France: Two Sides of the Same Coin” by Aude Jehan-Robert

• “Between the ‘Street’ and the ‘Salon,’ the Local and the National: Mediating Intelligentsia and the German New Right in Dresden” by Julian Göpffarth

• “Everyday Securitization: Prevention and Preemption in British Counter-Terrorism” by Tom Pettinger

• “Preventing Extremism and Terrorism: Reporting on an Intervention in Secondary Schools” by Raymond G. Slot, Frans Van Assche, and Sergio Vieira

Commentary

• “Britain First: Banned on Facebook but not Solved” by Lella Nouri

• “Protecting the Natural Environment? A Look at the Radical Right” by Bernhard Forchtner

• “Mapping the Radical Right in Hungary” by Katherine Kondor

• “Defending Free Speech: A New Front for Resisting Islamifcation” by Chris Allen

• “Just Harmless Lunatics? The Reichsburger Movement in Germany” by Barbara Manthe

• “Hearing Hate: White Power Musi” by Rob May

Campus Spotlight: American University

• “An Interview with Cynthia Miller-Idriss” by Maria Nikolaeva Lechtarova

• Syllabus: Terrorism, Extremism, and Education by Cynthia Miller-Idriss

• “The Radical Right in the Global Context” by Cynthia Miller-Idriss

Visual Art

•  “(G)UNSAFE,” an art series curated by Nicole Shea

Fiction

• Excerpt from The Anarchist Who Shared My Name by Pablo Martín Sánchez, translated from the Spanish by Jeff Diteman

• Excerpt from The Females by Wolfgang Hilbig, translated from the German by Isabel Fargo Cole

Reviews

• The Extreme Gone Mainstream, reviewed by Bart Bonikowski

• Bees of the Invisible by Maxi Donicht, reviewed by Shoshana Akabas

• Europe Un-Imagined: Nation and Culture at a French-German Television Channel, reviewed by Ib Bondebjerg

• Rocking the Boat: Migration and Race in Contemporary Spanish Music, reviewed by Angela Acosta

• The Invention of Race in the European Middle Ages, reviewed by Shoshana Adler

• Networked Remembrance: Excavating Buried Memories in the Railways Beneath London and Berlin, reviewed by Brian Ladd

• Producing History in Spanish Civil War Exhumations: From Archive to Grave, reviewed by Jonah Rubin

• Mediterranean-First?: La pianificazione strategica anglo-americana e le origini dell’occupazione alleata in Italia (1939-1943) reviewed by Julia Khrebtan-Hörhager

• Democratic Accountability, Political Order, and Change: Exploring Accountability Processes in an Era of European Transformation, reviewed by Alexandra Bousiou

Campus

• “The Unexamined Securitization of Economic Migrants” by Lara Davis

• “Making Meaning in a Global Art Market: Presentations of European Artworks by Chinese and Arab ‘Supercollectors’” by Spencer Kaplan

• “Assessing the Impact of Air Pollution on Students’ Interest in Migration to the European Union: A Study on Students at the University of Macau” by Evelin Rizzo

Editor’s Pick

• Committed to Memory: The Art of the Slave Ship Icon by Cheryl Finley

• EuroTragedy: A Drama in Nine Acts by Ashoka Mody

• Not All Dead White Men: Classics and Misogyny in the Digital Age by Donna Zuckerberg

• Werner Schroeter, Edited by Roy Grundmann