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EuropeNow

“Ode to Sadness” by Ghayath Almadhoun

Translated by Catherine Cobham

We love you, Europe. We love your art and hate your colonialist history, love your theatre and hate your concentration camps, love your music and hate the sound of your bombs

Three Poems by Friða Ísberg

Translated by Meg Matich

wet paper / tangled in birch branches / inside the window, smoking, / a woman with red hair / says to herself: / they can’t hear me anymore

Wingbeats by Shadi Angelina Bazeghi

Translated by Katrine Øgaard Jensen

Rain clouds and fox traces / newly-fledged birds / a pair of rotten cherries hitting the ground / an inevitable detachment, a dry release

T. U. V. by Zeshan Shakar

Translated by David M. Smith

I kept my mouth shut and realized that Stovner was a very small place, and Tante Ulrikkes vei even smaller. I realized that in Stovner, people lived in houses on one side and housing on the other, and that the two were nothing alike, something that held true for Oslo just as much as the rest of the world.

Archaeological Heritage and Museums

By Dacia Viejo-Rose 

The objective of this paper is to provide candidates with a sound knowledge about reasons for and ways of managing the past. During the course, candidates will develop a broad understanding of the diverse issues involved in heritage management, as well as an understanding of the types of agents and instruments involved.

Elín, Misc. by Kristín Eiríksdóttir

Translated by Larissa Kyzer

My hands get no cleaner than an old bathtub. My fingernails are all clipped as short as possible, but the chemicals have managed to claw their way through the dead skin, into the bone. As if there’s no enamel.

Staying with the Trouble: Making Kin in the Chthulucene

Reviewed by Alison Sperling

Haraway engages the feminist techno-scientific thinkers and ideas that have always marked her work, as she stays with different sticky, murky, complicated practices and companions, laying out the ethical dilemmas presented on a damaged planet and making suggestions about how we are to navigate them.