By John R. Bowen
Our views of European history and society ought to change as we pay greater attention to the long-term presence of Islam, especially in the Balkans and Russia.
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By Hélène B. Ducros
As Europeanists ponder about the state of integration and disintegration of the European Union—under pressure from multiple crises and the “tensions and fractures” latent in the European project—it is only logical that they also interrogate their discipline and the ways in which “European studies” has been framed, as well as which “Europe” has been of concern to their field in practice.
By Nikolina Zenovic
The long history of peoples and movements throughout the Balkans has situated Yugoslavia in a particularly interesting position culturally, geographically, and politically.
By Hélène B. Ducros
In this issue of EuropeNow Campus, we feature a spotlight on Europa-Universität Viadrina.
By Mark I. Vail
The scholars in this roundtable explore, from a variety of substantive perspectives, the meaning and evolution of the concept of European integration and the tensions within it, interrogating an idea beholden to more than its share of conventional wisdoms, clichés, and airy nostrums.
By Louie Dean Valencia-García
The immense project of the history of HIV/AIDS in Europe has largely been unwritten. While attempts have been made to make sense of the historical impact of the virus in Western Europe, most transnational, comparative studies were done in the midst of the crisis with the goal of informing policy, and before effective treatment of HIV/AIDS became widely available.
By Jeremy MacClancy
Instead of a standardizing policy to re-create long-term stable communities, we should accept variegated, patchy development, where settlements are occupied, but whose inhabitants are not necessarily lifelong, and where the high contrasts between the city and the countryside are drastically lowered.
By Neil Archer
British films, in short, need Europe. Celebrated British film companies such as Working Title, whose output ranges from Notting Hill and Bridget Jones’s Diary, to Atonement and Darkest Hour, may seem to exemplify a “British” success story, in terms of their settings, stories, and British stars.
By Sara McGeough
Is globalization creating a more interdependent and compassionate world, or is it galvanizing division and a fearful desire to protect our own?
