Reviewed by Olivia Landry
Cho explores the development of a discourse that addresses the ever-pertinent question of what makes cinema transnational.
All Posts By
EuropeNow
Reviewed by Elizabeth B. Jones
Yakimchuk’s voice is most moving when she probes the tedium and small indignities of war and peruses the perimeters of language to capture those absurdities before they disintegrate.
Reviewed by Edina Paleviq
Representatives of the European Union declared at the Thessaloniki Summit in 2003 that the Western Balkans had a future within the Union.
Interviewed by Nicholas Ostrum
The topics chosen for our seminars are intended to fulfill our goal of teaching the Holocaust from a number of angles and perspectives.
Reviewed by Georgios Varouxakis
Mazower vividly shows the bewildering variety of motives among people on both sides of the conflict.
By Irina Trocan
Romanian cinema has recently entered a transnational or global phase and thus cannot be free of discernible codes of representation.
Interviewed by John Haberstroh
We learn about the continuing relevance of ancient myths, the power of opera, and the potential of virtual reality productions.
Reviewed by Sanja Tepavcevic
Tsygankov surveys some of the most prominent Russian realist thinkers and offers a warning.
Reviewed by Sebastian Wüpper
German-Americans, as any other immigrant community, cannot simply be pigeon-holed based on their ancestral origin.
