a journal of research & art
By Aude Cefaliello
If we want to deal with the challenges Europe faces and develop sustainable mechanisms to overcome them, it is necessary to understand the forces exercised at the decision-making level, for example in the relations between employers, unions, and European Union institutions.
By Shumail Javed
“Human dignity,” Drowet makes the comparison, is “what the precautionary principle was in the 90s, and dignity is becoming the symbol of Europe in the European Framework of values.”
By EuropeNow Editors
In this issue of EuropeNow Campus, we feature a spotlight on Eucor – The European Campus.
By Hunter Doyle and Sofia Pia Belenky
Zooming to the scale of the individual bill, it is clear that the note itself reflects both of these trends, the cultural narrative or mythology, as well as the private desire for territorial accumulation. Each euro note has an architectural theme ranging from classical to “modern” twentieth century. As the bill increasses in value, the architectural period becomes more contemporary.
The difference with today’s migrants is that they are better educated and leaving a welfare state that ranks as one of the best places to live in the world according to most indices. The likelihood of them returning has nevertheless fallen sharply. Why?
Interviewed by James Crossley
I hoped this story would go beyond the Persian diaspora. It is about all migrant communities, all refugees, all people exiled either by choice or because of necessity. We do need labels, to flag the limits of our knowledge, the extent of our ignorance, but as Aminatta Forna says, labels can also limit who we are.
Reviewed by Roger Hillman
Since the fall of the Berlin Wall, the ongoing emergence of a new, multi-faceted European identity has been a gradual process. In a valuable contribution, this book takes stock of a work-in-process after its first quarter century, the melting pot fusion that is Europe, as reflected (but not in a vulgar Marxist sense) in European cinema
By Irial Glynn
With peak season approaching for refugees making treacherous journeys to and through Europe, don’t be surprised if we are told again that this is unprecedented. That would certainly be in keeping with what news organisations, politicians and research bodies have asserted in the past several years.
By Tobias Armborst
The idea of the architect as a lone artist who generates plans in the solitude of the studio has always been a part of the architectural imagination.
