Issue 43 | September 2021
A Special Feature, European Culture and the Moving Image
Research
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“European ‘Code Unknown’ Cinema by Peter Verstraten” by Peter Verstraten
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“Decolonial Queer Futures in No Hard Feelings [Faraz Shariat, Futur Drei 2020]” by Maria Stehle and Beverly Weber
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“European Revolution on Film: Pudovkin’s The End of St. Petersburg and Renoir’s La Marseillaise” by Casey Harison
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“The New European Cinema of Precarity” by Temenuga Trifonova
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“National, Transnational, Transitional: Albanian cinema in the 2000s” by Philip E. Phillis
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“Europe’s Moving Images” by Randall Halle
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“’Kultur Als Kopfkino:’ Hermann Glaser’s Critical Visions for the Arts and Social Entertainment: Translating German ‘Culture as Civil Right’ for the European Project” by Irina Herrschner and Benjamin Nickl
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“Babylon Berlin: Weimar-Era Culture and History as Global Media Spectacle” by Hester Baer and Jill Suzanne Smith
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“Making and Mapping European Border Series: From Bridges and Tunnels to Dark Forests” by Michael Gott
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“’Eurotrash’ Films, Hollywood, and the Possibilities and Limits of YouTube as a Media Archive for Popular European Film History” by Anne-Marie Scholz
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“What Moves Artists? Mapping Vienna through the Moving Images of Nilbar Güreş” by Lora Sariaslan
Visual Art
Fiction
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Stranger to the Moon by Evelio Rosero, translated from the Spanish by Victor Meadowcroft and Anne McLean
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The Memory Monster by Yishai Sarid, translated from the Hebrew by Yardenne Greenspan
Book Reviews
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German Cinema in the Age of Neoliberalism, reviewed by Adam Cook
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Exhausted Ecologies: Modernism and Environmental Recovery, reviewed by Leanna Lostoski-Ho
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East German Film and the Holocaust, reviewed by Mariana Ivanova
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Imbalance: Germany’s Political Economy after the Social Democratic Century, reviewed by Johannes Kiess
Campus
Campus Monthly Round-Up
Editor’s Pick
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Film Genres in Hungarian and Romanian Cinema History, Theory, and Reception by Andrea Virginás
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Africa’s Last Colonial Currency: The CFA Franc Story by Fanny Pigeaud and Ndongo Samba Sylla, translated by Thomas Fazi
Published on September 15, 2021