By Medina Dugger
Dugger’s images feature the veil primarily in an abstract sense, observing its forms, patterns, colors, and its contribution to identity, self-expression, and style.
a journal of research & art
By Medina Dugger
Dugger’s images feature the veil primarily in an abstract sense, observing its forms, patterns, colors, and its contribution to identity, self-expression, and style.
Translated by Daniella Zamir
The sidewalk was cleansed of the blood. Rivers of rain, water hoses, and street sweepers joined forces to scrub the surface after the last remnant was removed.
By Rüdiger Müller
At some point in the days that followed, I remember my mother telling me that the wall was gone, and that my father had been promoted to managing director of his company.
By the EuropeNow Editorial Committee
Here are this month’s editor’s picks from Research Editorial Committee members Hélène B. Ducros, Mark Vail, Carol Ferrara, Nick Ostrum, Juliane K. Mendelsohn, and Louie Dean Valencia-García.
By Hélène B. Ducros
In the fall issue of EuropeNow, we feature an Author-Meets-Critics on Vichy contre Vichy, Une capitale sans mémoire by Audrey Mallet
By Richard J. Golsan
To today’s casual visitor, Vichy seems an attractive, prosperous provincial French town. One of Europe’s most celebrated spas, it has enjoyed a long and largely prosperous past.
By Bertram M. Gordon
Mallet addresses the prewar history of Vichy as a spa center, reaching a turning point with the construction of a railway station under Napoleon III, which brought an extended clientele and made it internationally famous, evidenced in an article in the New York Times in 1876.
By David Lees
For historians of modern France, it can sometimes appear that all roads lead to the small spa town of Vichy. Such is the legacy of World War II in France that the four “dark years” of German Occupation and Vichy rule still cast long shadows over French society today.
By Richard Carswell
The visitor to Vichy today will look in vain for the Hôtel du Parc, seat of Marshal Pétain’s government from 1940 to 1944. The building still exists. But there are no signs to indicate its former incarnation. It is now a block of offices, apartments, shops and the local tourist office, where an official will tell you—on request—that, yes, this was the site of the Hôtel du Parc. The only sign of the building’s association with the defunct regime is closed to the casual tourist.