By Manasi Sinha
With continuous instability and violence engulfing Afghanistan, large numbers of Afghan women and girls are likely to reach Europe to seek protection from conflict and violence in their native land.
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EuropeNow
Interviewed by Sanders Isaac Bernstein
Rather than understand the growing strength of the so-called far right as a matter of political program championed by distant extremists, Strick argues that we need to consider how they transform the emotional climate of everyday life.
By Peter Verstraten
Traditionally, art cinema has been used as a term of endearment to pit European cinema as the “good” object against Hollywood as the commercial giant.
By Irina Herrschner and Benjamin Nickl
The blueprint of a house precedes its construction. That much is clear. With a European Project that started in 1950 as the European Coal and Steel Community, a common culture was that blueprint, and it was meant to construct a union of all and for all: in a shared culture that was alive and thriving.
By Anne-Marie Scholz
In 1992, Richard Dyer and Ginette Vincendeau published an edited volume of essays entitled Popular European Cinema. The notion was new at the time, they argue in the introduction.
By Michael Gott
In recent years, borders and borderland settings have proliferated in European television, arguably making the “border series” a category of its own. HBO Europe’s Polish series Wataha (2014-) was translated as The Border for its 2016 UK release.
By Randall Halle
Already during World War II, leading European cultural figures oriented themselves toward a post-war future in which a federation of Europe would become a reality.
By Philip E. Phillis
Prospective audiences may be at a loss if they try to conjure in their minds an Albanian film, especially since production has gained momentum only in the last twenty years.
By Hester Baer and Jill Suzanne Smith
the fall of 2019, the European Film Academy announced its creation of a new award category, one that would allow the EFA to “remain relevant” in the eyes of younger viewers and in light of clear changes in visual media creation and distribution.
