a journal of research & art
By Adrianna Hlukhovych
Because they are not mass produced, poetic films convey an aura of exclusivity that shakes ideological and political norms under certain circumstances. In the 1960s and 1970s in the Soviet Union, such exclusivity was remarkable both in terms of film aesthetics and film plots.
By Noriaki Hoshino
This paper explores how Japanese intellectuals have discussed the notion of the “New Middle Ages,” foregrounding the trans-regional, inter-disciplinary implication of the theme of Eurasia as it derives from debates implicating the connection between Europe and Asia, which I refer to as “the Eurasian intersection.”
By Holger Briel
For many decades, twentieth-century SF was arguably an Anglo-American cultural project, although works emanating from other national contexts had certainly participated in forging the foundations for much of SF before that time.
Reviewed by Oksana Ermolaeva
Russian state policies towards expatriates, repatriates, and forcibly deported people in the Eurasian space are especially relevant today.
Reviewed by Julie Rugg
Migrants and minority groups can experience acute spiritual and emotional pain if their funerary needs are not met.
Interviewed by Arina Rotaru
Kim’s work invites us to imagine European studies from non-western angles.
Translated by Brendan Freely
“Corpses,” said the man, “the corpses of soldiers who don’t want to be buried in Europe, who want to have their eternal rest in Asia, on Muslim soil…”
Translated by Hiroaki Sato
The green of the cypresses being so dark. . . . The island of death, is, that, the island of poets? / The noble (poet’s) fury. Just when the evening glow enwraps the world in darkness
By Hélène B. Ducros
EuropeNow features a selection of scholarly material on topics pertinent to the teaching of Europe or teaching in Europe.
