Issue 10 | September 2017
A Special Feature on Tourism: People, Places & Mobilities
Research
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“A Transnational Place-based Label for the ‘Glocal Village’” by Hélène B. Ducros
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“Europe and Island Tourism” by Godfrey Baldacchino
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“Moroccan Roads that Start in Europe: ‘insha’allah’ Timespaces of Summer Holidays” by Lauren Wagner
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“Places with a Disconcerting Past: Issues and Trends in Holocaust Tourism” by Rudi Hartmann
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“Part-time Work, Full-time Commitment: Casualization of Employment in the Irish Hospitality Sector” by Alicja Bobek and James Wickham
Commentary
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“What Germany Can Teach America About History” by Morten Høi Jensen
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“Lviv in Wartime” by John Lindner
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“The EU as a Security Actor: The State of the Play” by Fulvio Attinà
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“Ten Years After Romania’s Entry into the EU” by Aura Socol
Poetry
Fiction
Nonfiction
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“My Father’s Eye” by Theophilus Kwek and Daniel Kwek
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“A Fact of Survival” by Mina Hamedi
The Borders Project
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(Poetry) “Frontierspeople” by Dijala Hasanbegović, translated from the B/C/S by Mirza Purić
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(Poetry) “Three Quarters of the Way Through the Poem” by Melanie Jordan
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(Fiction) “Prague-Berlin Train” by Stacy Mattingly
Reviews
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Backpack Ambassadors: How Youth Travel Integrated Europe, reviewed by Bethany Hicks
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Centre Pompidou Renzo Piano, Richard Rogers, and the Making of a Modern Monument, reviewed by Leslie Sklair
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Island Landscapes: An Expression of European Culture, reviewed by Stephen Royle
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The Demon of Geopolitics: How Karl Haushofer “Educated” Hitler and Hess, reviewed by Catherine Epstein
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Living Faithfully in an Unjust World: Compassionate Care in Russia, reviewed by Tomas Antero Matza
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Cinéma Militant: Political Filmmaking & May 1968, reviewed by Joseph Palis
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Tonic to the Nation: Making English Music in the Festival of Britain, reviewed by Nicholas Clark
Interviews
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“Encountering Light and Dark in Tourism: An Interview with Tim Edensor,” by Hélène B. Ducros
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“U.S.-E.U. Relations in the Face of Brexit and Trump: An Interview with Joseph Grieco,” by Daniela Irrera
Visual Art
Campus
Editor’s Pick